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Africa addioOriginaltitel, Africa Addio. Genre, Dokumentation. Filmart, Spielfilm (Darsteller). Regie, Gualtiero Jacopetti Franco Prosperi. Darsteller, Julius Nyerere,Sergio. Schnittberichte, News (z.B. Uncut-DVDs & Blu-rays) und Reviews zu Africa Addio (Italien, | Dokumentation) ▻ Alles zum Thema Zensur. Fotografien des Kurfürstendamms, Proteste gegen Africa Addio vom 3. August Henschel-Fotobestand, Signatur: B01__ [FHXB.
Africa Addio Inhaltsverzeichnis VideoAfrica Addio 4K Mondo Cane 3 Remastered 4K version
Das gesamte Africa Addio von PRO7 Africa Addio mit sterreichs grtem. - Kleinbildnegativ: Proteste gegen Africa Addio, 1966Kurfürstendamm Berlin-Charlottenburg. Gotham Staffel 3 Folge 12 richtige Bewältigung dieser journalistischen Reportage setzt neben einem sicheren Blick für echt und unecht auch Kenntnisse über den Umbruch des Kontinents aus anderen Quellen voraus. NEU: PODCAST:. Kommentare Schnittberichte News.
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Africa addio - Movies Preview. It appears your browser does not have it turned on. The new America rose from the ashes of a few white man, all the redskins, and the bones of millions of buffalo.
The new, carved up Africa will rise again upon the tombs of a few white men, millions of black men, and upon the immense graveyards that were once its game reserves.
The endeavor is so modern and recent that there is no room to discuss it at the moral level. The purpose of this film is only to bid farewell to the old Africa that is dying and entrust to history the documentation of its agony" .
Untouched Jungles, huge herds of game, high adventure, the happy hunting ground — those are the dreams of the past.
Today there is a new Africa - modern and ambitious. The old Africa died amidst the massacres and devastations we filmed. But revolutions, even for the better, are seldom pretty.
America was built over the bones of thousands of pioneers and revolutionary soldiers, hundreds of thousands of Indians, and millions of Bison.
The new Africa emerges over the graves of thousands of whites and Arabs, and millions of blacks, and over the bleak boneyards that once were the game reserves.
Judging is for you to do, later. This film only says farewell to the old Africa, and gives to the world the pictures of its agony.
Various cuts of the film have appeared over the years. IMDb lists the total runtime as minutes, and a 'complete' version on YouTube runs closest to that at minutes, 23 seconds.
IMDb lists the different runtimes for previously released versions: USA- '; Norway- '; and Sweden- '. An English-language version currently released by Blue Underground runs minutes.
White people actually did this. The sequences in post-colonial Africa seem so surreal, terrifying, and deeply unflattering to blacks that that movie has been denounced as racist propaganda.
It definitely leads to racist conclusions. But all of it appears to be real. Still, one wonders: If blacks really are that bad, why did whites ever settle there?
Why did whites give blacks power over them? And why, in the name of all that is holy, are we allowing these people to colonize us today? The first thirty minutes focus mostly on Kenya.
We see the trial of Mau Mau terrorists and their accomplices, who slaughtered white families and mutilated their cattle.
They also tortured and killed baboons, for no fathomable reason. They are sentenced to life in prison. A few years later, Jomo Kenyatta pardoned the Mau Mau.
The white farmers of the Kenya highlands are forced to sell. We see their houses and European treasures being auctioned off by Indian merchants. Then we see their yards and gardens being bulldozed, their trees dynamited, to create subsistence gardens for hundreds of blacks, who fill the European houses to overflowing, covering everything in filth and smoke, and slowly dismantling the houses to burn in their fireplaces — since it is easier than fetching wood, and it does not occur to them that, at some point, the house will become unlivable.
In a stunning sequence, we see Boer farmers from South Africa who settled in Kenya returning home with their herds the way they came: in covered wagons.
In colonial Kenya, blacks could look at white women but not touch. In free Kenya, blonde British nannies become a status symbol for the black elites, and an old blonde whore does a striptease for a roomful of sweaty blacks.
It seems unreal. Was it staged? Probably not. Africa Addio is filled with unflattering contrasts between blacks and whites.
The white colonists are remarkably good-looking in Kenya, Angola, the Congo, and South Africa. The Africans, many filmed in extreme closeups, are often hideously ugly, with alarmingly discolored eyes and teeth.
The filmmakers could be accused of seeking out exceptionally attractive whites and ugly Africans, but there are a lot of goofy and plain-looking whites as well.
There are scenes of European order and grace: soldiers on parade, a ceremony in a church where the former colonial flags are being entrusted to the clergy — contrasted with noisy crowds of Africans swarming and rioting.
We cut from disciplined and well-dressed British soldiers to clownish, shambling African troops and policemen. Post-colonial Africa began as a farce, a grotesque parody of European civilization.
Then it descended into tragedy. Throughout the continent, African rebel groups, usually backed by the USSR or Communist China, used terrorism to eject whites.
Then, once the whites were gone, they went on to massacre their tribal enemies. In , the newly independent government of Zanzibar was overthrown by a Communist-backed revolution, and up to 20, Arabs were massacred.
The filmmakers hired a plane in Tanganyika to document what was happening. They were fired upon when they tried to land but over two days managed to film from the air burned-out villages, columns of Arabs being marched to their deaths, as well as mass graves and random heaps of corpses.
One day, we see pitiful refugees fleeing to the beaches; the next day the beach is littered with countless corpses. Er verleumdet einen Kontinent und mindert dabei gleichzeitig den menschlichen Geist.
Und er tut dies, um uns zu unterhalten. Die richtige Bewältigung dieser journalistischen Reportage setzt neben einem sicheren Blick für echt und unecht auch Kenntnisse über den Umbruch des Kontinents aus anderen Quellen voraus.
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Greg S Super Reviewer. Mar 15, Here's a pattern to almost all Mondo films. First they'd show you something very beautiful and majestic, while you're enjoying the scene suddenly they'd cut it and show you images that would gross you out for 3 years.
Take the hippo scene for instance, at first they're bathing, looking happy and shit, 20 sec later that fucking hippo is being killed with spears and people are fucking harvesting the meat.
In the end, it was a great shockumentary I think, shows you how cruel human being can be. Cita W Super Reviewer. See all Audience reviews.
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